Without a doubt, director Wes Anderson is one of cinema’s most visually gifted stylists.
It has been debated quite regularly that Anderson’s works are more style over substance.
There is an argument among critics that his work is whimsical and self-indulgent, emotionally empty and shticky.
In each of his films, Anderson creates the reality with impeccably executed and emotionally devoid environments, quirky stock characters, nostalgia-driven music and lots of Futura fonts.
With a filmography that includes such distinctive films as The Royal Tenenbaums, Rushmore, The Life Aquatic With Steve Zissou, The Fantastic Mr. Fox, Moonrise Kingdom and his latest, The Grand Budapest Hotel, there’s no question that Anderson continues to invoke reactions from audiences.
And while arguments continue on his film work, there’s no debate that as an auteur, his work in commercials is distinctive, creative and memorable.
Anderson and Brad Pitt collaborated in this spot for SoftBank, a Japanese telecommunications and internet company. In the spot, filmed at a French seaside town, Anderson pays homage to Jacques Tati’s Monsieur Hulot’s Holiday with Pitt taking on the iconic role in this spot composed of one continuous shot.
Co-directed by collaborator Roman Coppola (and certainly influenced by his own film, CQ), this stylish ad captures 60’s pop culture aesthetic.
Anderson teamed with animation house LAIKA to collaborate on this stop-motion ad based on an eight-year-old’s theory of how a smartphone works.
A trilogy of perfume ads co-directed with Roman Coppola depict a love triangle heavily inspired by the French new wave including François Truffaut’s Jules et Jim and Jean-Luc Godard’s Bande à part.
American Express—“My Life. My Card”